Ekho v7: âSwinging Londonâ
Ekho returns to London for a blockbuster album filled with inventive scenery, pseudo-cameos of musical figures, and a great mystery that can only be solved by â well, that would be a spoiler, wouldnât it? But you can probably guess it⊠Yes, the Worldâs Greatest Detective.
No, not Batman.
Tea and Credits
Writer: Christophe Arleston
Artist: Alessandro Barbucci
Colorist: Nolwenn Lebreton
Translator: Studio Charon
Letterers: Studio Charon
Published by: Delcourt/Soleil
Number of Pages: 49
Original Publication: 2018
Trouble In Ye Olde London Towne
Fourmille and Yuri have been called back to London for a meeting with an important person. Theyâre needed to help solve a growing crisis in town: a tea shortage.
Yes, this is a story done in 2018 that deals with a supply shortage of a popular product and the great lengths that every part of the supply chain will go to in order to fix the issue. Itâs a little different from whatâs going on today, though. In Christophe Arlestonâs script, the tea is making it into the docks, but then disappearing overnight before anyone can distribute it out.
As you may remember from earlier albums in this series, without tea, the Preshauns change into a very monstrous form. (See the first album for the best examples of this.) This is something they work very hard at keeping secret.
Now, in London, the shortages are getting so bad that preshauns are losing it in the streets and turning into monsters. This canât keep happening; their secret transformations must be maintained.
To figure out whatâs going on, Yuri poses as an insurance investigator who gets involved at the docks to see whatâs going on. Fourmille is his assistant, but she ends up splitting off to follow a group of squatters who are musicians and bear suspiciously similar looks to the likes of David Bowie, Twiggy, and others. If you like British rock and culture from the 1970s, youâre going to like this book. Yes, thereâs even a Beatles appearance (of sorts) in it.
Meanwhile, Yuri plants himself at the docks with the latest load coming in. He wants to witness what is happening for himself and see if he can figure out the secret of the Suddenly Missing Tea.
The devil is in the details on this one and theyâre all great. I loved this outing for the series. Itâs a nice little mystery book that uses all of the mythology established for the series to its benefit. The preshauns are cute and always a lot of fun.
Youâre not going to get the big mystery about the dead person who inhabits Fourmilleâs body in this one, nor the âWIll They or Wonât They?â tension between Yuri and Fourmille. Thatâs OK; itâs good to go off-model once in a while so you can truly enjoy the usual routine once more later.
A Visual Guide to London
There are a lot of great set pieces and moments in this book that are fun to stare at. Alessandro Barbucci always excels at drawing well-known cities in these non-electric configurations. He outdoes himself in this book, once more. From Piccadilly Circus to The Tube to Big Ben, his detailed locations are just as good as the beautiful women heâs also well known for drawing.
The opening half-page panel of Piccadilly Circus starts the book off with a bang. You can look deeper and deeper into that image and find more stuff to be impressed by.
The âItâs Alcohol Timeâ sign is accompanied by a giant hourglass, since there are no clocks in this world.
The fonts used in all of the signs evoke a feeling of something thatâs at least 100 years old. There are a couple of preshaun references on the buildings in the background.
The bus is being carried on the back of a snail. Cars are carried by giant insects whose legs pop out through the tire wells.
When they arrive at the house theyâre in London to visit, the butler (named Jeeves, naturally), welcomes them in and invites them to slide down the laundry chute (maybe a coal chute?) to get to their meeting.
So begins a rollicking fun ride that crosses bits of âIndiana Jones and the Temple of Doomââs mine cart ride with some âHarry Potterâ references that are so obvious that even Fourmille comments on them.
It ends with a spectacular view of an office in the heart of Big Ben. This could be a simple meeting with a dramatic room involved, but Arleston and Barbucci add a couple pages and make it something more memorable and imaginative.
When Fourmille is chasing down the Squatters, she goes for a ride on The Tube. How does the Tube run? Well, itâs pulled by wires that are put in motion by an elephant walking in a giant hamster wheel. Of course!
Check out that angle that Barbucci picks to set the scene here. Itâs perfect. Itâs wide enough and set far back enough for the reader to see everything. Itâs not just the construction of The Tube, but also where Fourmille is standing in relation to it in a way that makes sense and looks right. He spares no expense with the detail, either, including the tiled walls and the lines of people waiting to get in.
Itâs all of these small touches that take a relatively simple story and make for a visually captivating book that youâll want to read over and over again. Luckily, I usually wind up reading a book two or three times when Iâm reviewing it, so this has been a fun one.
The Colors of Ekho
I need to point out Nolwenn Lebretonâs coloring on the book, as well. She matches Barbucciâs art beautifully. Itâs mostly rustic coloring, but the values and the pops of color clarify some very busy pages and make every panel look great.
Itâs not splashy work. If anything, itâs understated, but that fits this whole new world the series is set in. Things get very dark very early when you canât have things like light bulbs. Light sources, in fact, are super important to the world in this book. Lebreton chooses logical ones with the right amount of power to keep everything looking right to the readerâs eye.
This is a book Iâm glad Iâm reading digitally. I love these colors, but I fear that in print theyâd get too absorbed in the fibers of the paper and turn everything too dark. That inevitably happens in North America where publishers cheap out on paper stock and donât get the color settings right for that.
But here, digitally in their purest form, Lebretonâs colors stand out strongly and help to define the visuals of the series. I canât imagine anyone else tackling these pages.
Just look at the colorwork inside the office of the Big Ben tower (above). Itâs a bright day, so the sunlight streams in with a nice orange/yellow glow. The window-like clock faces are the brightest things. The floor is colored on a gradient so that itâs the brightest at the top with all the windows, but then descends into a deeper orange at the other end where there isnât a window letting as much light in. Itâs broad daylight, so a yellow/orange light makes a lot of sense.
The close columns are given a dark color to set them apart from the scene, as are the gears for the clock hanging off the ceiling. Characters have small shadows. Even the desk is darkest facing away from the third window/clock on the black wall.
There are a lot of little details here, yet itâs a generally simple design thatâs well thought out, preserves the art, and makes for an easily readable panel.
(Fun fact: The Big Ben tower was designed by another Augie! His name was Augustus Pugin.)
Recommended?
Absolutely, yes, if youâve been following this series. If youâre new to the book, do go back and start with volume 1. This one builds on the first six books in small ways, but everything will be much clearer to you if you follow the story as it develops.
If you donât want to take my advice, the first page of every album is a quick introduction to the world and the main characters. Youâll be covered.
As someone whoâs been reading it from the start, though, I found this book completely satisfying and a visual wonder. Definitely recommended. For $4.99, itâs a steal.
Buy It Now
Sadly, Ekho is only available in English on Amazon. Izneo only has the French edition. Itâs very hit and miss with Soleil comics, and this is one of the casualties of their decisions. I canât believe there isnât an English language print edition of this book by now, either.